Artist Statement

As a ceramic artist, I am drawn to the primal connection between earth, fire, and form. My work is a reflection of my deep respect for nature, influenced by the timeless traditions of Japanese aesthetics, and informed by the history of ceramic works by North Carolina artists. I specialize in tactile processes, developing complex and dynamic surfaces in both oxidation and wood-fired ceramics.

I find beauty in the imperfect, the transient, and the humble. The unpredictability of flame and ash gives each piece its own identity, shaped by its position in the kiln, the type of wood used, and the duration of the firing. No two pieces are ever alike, and this uniqueness is integral to my creative process. In this way, I view my works as reflections of humanity—each one distinct, yet all bound by the commonality of their origin.

Through my work, I aim to create a quiet space where nature, tradition, and human touch converge. I hope that my ceramics offer a moment of reflection, a tactile connection to the earth, and an appreciation for the simple yet profound beauty of natural forms and processes.